



"Director Patricia Riggen's Under the Same Moon is a brave film that proudly puts a face to an issue that has polarized America." Joseph Belanger, IMDB.com
Nine year old Carlitos lives with his grandmother in a depressed Mexican town. His mother, Rosario, cleans houses in Los Angeles, working hard to raise enough money to support her mother and her son. They long for each other, and keep in touch via a
weekly phone conversation. "We are not so far apart my love" Rosario likes to tell her son, "look up and you will see the same moon I see".
When Carlitos' grandmother dies, he decides to make his way to L.A. to find his mother. From this point on Moon becomes a road movie, with Carlitos hooking up with the wrong people, who put him in jeopardy, and the occasional right ones.
"The characters in Moon are vividly drawn, and their plight does more to illuminate the problem of divided Mexican families than countless newspaper stories. The movie gets to you,earning the audience's emotions honestly rather than by manipulation."
"It's impossible not to care about the fate of Carlitos as played by Adrian Alonson. Alonson may be the most most adorable child actor since Abigail Breslin, but he is also a natural who never appears to be acting." Ruthe Stein, San Francico Chronicle
Parental warning - This film is rated PG-13 for strong content

"A far-reaching personal documentary examination of the slave trade. The implications of the film are devastating."
--Stephen Holden, The New York Times
What would you do if you discovered one of your ancestors was one of the greatest slave traders of all time? Director Katrina Browne's reaction was to invite members of her family to travel with her to Africa to explore and confront the implications of this shocking family discovery. Nine of Browne's relatives took up her challenge and traveled with her on the long road from Ghana to Cuba to New England, tracing the steps of the slave trade that made her family so rich.
Who should pay for the sins of our fathers? It is tough question to ask, and harder to answer. Holly Fulton, one of Katrina Browne's relatives who appears in the film, will be on hand to discuss her take on this most difficult of questions.
"Are you in an agreeable mood to have your leg pulled right out of its socket by a practical joker with a movie camera? Then you may just be ready for "Zazie," an elaborate French exercise in cinematic Dadaism." Bosley Crowther. New York Times
A frenetic comedy and satirical view of society by the great French New Wave director, Louis Malle. The film stars Catherine Demongeot as an 11-year-old dumped for the weekend with her strange uncle Gabriel. We get to experience the surreal side of Paris that Gabriel loves though Zazie's large eyes.
"The French New Wave was the most exciting and energetic of all film movements, because of the unmistakable joy that the directors involved had in deconstructing the mechanics of cinema.
Zazie is not merely Surrealist, it leaves Surrealism behind on its merry trip into outright absurdism. While I watched the film I thought of neither Godard nor Truffaut, but of Monty Python's Flying Circus and its aggressive abandonment of causality and
even physics in the pursuit of the grotesque and ineffable.
We expect a story about a child to be more fantastic and dare I say zany than a story about adults, and Zazie in the Metro exploits that expectation, leading us to first laugh at the film and only realising the implications of what we're laughing at moments later. The film is constantly one step ahead of the audience, always just a little bit smarter than we are. That might be the most uncomfortable part of the whole experience. But then, nobody would ever argue that the revelation that we're all living like foolish cattle should be comfortable."
Tim Brayton, Antagony & Ecstasy
92 mins, French with English Subtitles
Parental warning: strong language and joyfully shocking situations

Winner 2010 Academy Award - Best Documentary Feature
Winner 2009 Sundance Film Festival - Audience Award
"Plays like the James Bond version of an environmental doc. It's quite simply one of the year's best movies." Peter Howell Toronto Star
Some of the footage is graphic and bloody, but the Cove also "makes points that don't depend on those shots for their effectiveness. We learn a lot about dolphin intelligence, witness the ineffectiveness of the International Whaling Commission in the face
of Japanese lobbying, and learn how the high mercury levels in dolphin meat bring to mind the earlier mercury poisoning scandal at Minamata." Kenneth Turan, Los Angeles Times
"The Cove is an astounding piece of investigative journalism with the heart ofan action thriller. Led by Louie Psihoyos, leader of the Ocean Preservation Society, and Richard O'Barry, an internationally recognized authority on dolphin training who is best known for his work on the 1960's TV show Flipper, the film follows a high-tech dive team on a mission to discover the truth about the International dolphin capture trade as practiced in Taji, Japan. Utilizing state-of-the-art techniques, including hidden microphones and cameras, the team uncovers how this small seaside village serves as a horrifying microcosm of massive ecological crimes happening worldwide." Rotten Tomatoes.com
ADMISSION IS FREE FOR THIS EVENT

It's arguably the most famous image from the silent film era. Harold Lloyd in horn-rimmed glasses and straw hat hanging precariously from a broken clock face.
The film is hilarious with breathtaking stunts. The story is quite simple. Lloyd's bespectacled character wants to get married but needs money. So he endeavors to win a prize by climbing a skyscraper. At each ledge Lloyd encounters new difficulties
including flapping pigeons, windows opening, and mice running through his clothes.
"Where Charlie Chaplin and Buster Keaton made their stunts look effortless, Lloyd got laughs by making the things he did look nearly impossible.... And because vertigo-inducing camera angles put audiences in the roughly the same spot he was in, they identified big-time." Bob Mondello, All things Considered
When the silent film era ended Lloyd retired and pulled his films from release with no apparent concern that his legend was gradually fading. Now that his granddaughter has started re-releasing his films that may well change.
The film will be accompanied by live music scored and played by pianist Shauna Pickett-Gordon.


"Will you plead with the Master, Your Holiness, so we may watch TV for a while?" Asks a ten year old Buddhist monk to the seven year reincarnated living Buddha he has been asked to oversee.
Thus begins a movie that delves into the relative merits of strict monastic training versus youthful exploration of the outside world as seen through the novelty of television.
Professor Jenny Lau, of the Film School at Francisco State, discovered this film for us in China, and will handle introductions and our post screening discussion.


"Will you plead with the Master, Your Holiness, so we may watch TV for a while?" Asks a ten year old Buddhist monk to the seven year reincarnated living Buddha he has been asked to oversee.
Thus begins a movie that delves into the relative merits of strict monastic training versus youthful exploration of the outside world as seen through the novelty of television.
Professor Jenny Lau, of the Film School at Francisco State, discovered this film for us in China, and will handle introductions and our post screening discussion.

Remedios the Beauty
A film by Jesse Cobb and friends from Pacifica's Terra Nova High School. The script for Remedios was adapted from Gabriel Garcia Marquez's classic, "100 Years of Solitude". Filmed on location in San Francisco's vibrant Mission District, the film is a magical urban fable about the power of beauty.
First prize winner, Coastside Teen Film Festival.
Based on a true story of two high school friends who share a love of fantasy and literature -- and kill to protect that friendship.
At the time this film was made, writer/director Peter Jackson (The Lord of the Rings & District 9) was still known as a purveyor of gory horror flicks. "It would have been easy to make a pulpy, over-the-top murder yarn -- focusing on the murder and reinforcing the standard perception of girls as fiends without mercy. Instead, the film (Jackson) made is an evenhanded, fascinating look at two lives." Edward Guthmann, San Francisco Chronicle
Jackson did a superb job casting the two leads. Melanie Lynskey plays the chubby Pauline with a palpable desperation. Newcomer Kate Winslet plays Juliet as a pretty thing, whose bubbly laughter verges on hysteria. It is an accomplished performance that makes it easy to see why Winslet has gone on to become such a big star.
"The insight of "Heavenly Creatures" is that sometimes a mob can be as small as two persons. What makes Jackson's film enthralling and frightening is the way it shows these two unhappy girls, creating an alternative world so safe and attractive they thought it was worth killing for." Roger Ebert Chicago Sun-Times
Rated R for violence and sexual situations

"A wildly imaginative world worthy of Gabriel Garca Marquez at his most playful, drenching it in vivid color and a Slavic sense of bleak humor."
Ann Hornaday, Washington Post
In a town so inconsequential no country lays claim to it, a young love is born. Grandma predicts their love will reach fruition when both bathe under the light of a rare celestial alignment. Hard to do when the local aqueduct runs dry.
"With a gloriously saturated palette, rich textures, a fanciful imagination and an unerring, light touch, (Director) Helmer gives "Absurdistan" a distinct narrative style and visual verve that seem at once ancient and new, childlike and wise. Those who prefer their cinema austere and joyless will no doubt find its humor a bit twee, but anyone looking for a break from empty nihilism should seek out this small, sparkling gem."
The dialog is in Russian but is so spare, English viewers can almost get by without the subtitles.

A GLOBAL WARNING
Arctic ice is melting, sea levels are rising, and glaciers are shrinking at alarming rates. And the Earth is getting unmistakably warmer. But is this vast, potentially catastrophic, climate change the result of human behavior? Or is it simply the Earth's natural cycle of warming and cooling periods that have occurred since the planet formed?
"A GLOBAL WARNING" offers an in-depth study of the science behind this controversial, hot-button issue.
Scientists explore the skies to examine the warming effects of the sun and dig deep into the Earth to study continental movement and the volatile activity at the planet's core. Experts speculate on how natural events, including volcanic eruptions and massive meteor impacts, have affected temperatures and weather systems over the planet's 600-million-year history.
Shot on location at some of the most breath-taking locations on the planet, and filled with dynamic special Effects, "A GLOBAL WARNING" is a captivating look at the Earth's climatic evolution and a study of the longevity of our planet--and man's future on it.

THE HIGH SIGN (1921) 21 mins
Keaton is hired as both the bodyguard and the assassin for the same man!
"There's really no need to explain in detail the unbelievable plot line. This physical comedy is the closest you'll ever come to seeing human beings act in real time to what would become the clear domain of animators some years later... You won't believe your eyes." Clark Richards, The Internet Movie Database
ONE WEEK (1920) 19 mins
A newlywed Keaton and wife attempt to build, furnish, and settle into a build-it-yourself-dream-home. The instructions say you can build it in a week. Unfortunately, they have been provided with the wrong set of instructions.
GO WEST (1925) 20 mins
The most unusual love story of the silent era. Is this Keaton's only sentimental movie, or is a joke about the devoted cow-eyed leading ladies featured in so many other silent films?
"With a charming cow as a romantic lead, Keaton's character is recognizable as a real person, but one that is easy to underestimate." Jeremy Heilman, MovieMartyr.com
MUSIC BY GRAMMY-WINNING GUITARIST BILL FRISELL.
"I watched the Keaton DVD with my son, who is two-and-half years old, and he really flipped for it. I think there's something really special about how instrumental music can bypass a lot of our language oriented logic, and I saw that perfectly in my son's
giggling, delighted reaction. ... There's a spark that emerges in this collaboration (between Keaton and Frisell) where it's clear (they have) things to say to each other." Dennis Cook, JamBase Magazine.
CRITICS LOVE KEATON AND FRISELL
"He was the greatest of the silent clowns. In films that combined comedy with extraordinary physical risks, Buster Keaton played a brave spirit who took the universe on its own terms, and gave no quarter." Roger Ebert, Chicago Sun Times
"The music is lithe and responsive and honors Keaton's genius sincerely." Nate Chinen, New York Times

"A beautiful and bittersweet film, a coming-of-age tale that simultaneously gives us a small peek into the rapidly
escalating clash between the Old China and New China as the huge country races to modernize." — Don Willmott, Filmcritic.com
Ruoma is a teenage girl living in a beautiful remote region of China's Yunnan Province, who longs for a taste of the big city. Ming is a big city boy, an amateur photographer come
to take pictures of the gorgeous mountain rice fields.
Before long Ming is taking pictures of Ruoma posing in her colorful Hani garb to sell to tourists. They split the take. Of course a romance is kindled, and just as inevitably that romance is challenged by their profound cultural
differences.
The photography is gorgeous, full of Hani "songs, dances, and harvest rituals, all of which Ruoma takes part in with great joy. The last thing Ruoma needs, you'll think, is to
be taken away from this simple life, and yet the world encroaches." Filmcritic.com
Jenny Kwok Wah Lau, Associate Professor from San Francisco State will introduce the film and take questions from the
audience.

"Transcendent, deeply committed & beautifully wrought. It will make anyone who sees it look at the world with new eyes."
Bob Graham, San Francisco Chronicle
Mohammad wants to come home for the summer. His dad, a widower, is afraid that the presence of a blind son at home will make it hard for him to find a new wife. When the dad is forced to bring his son home, he walls himself away, failing to appreciate the joy his son brings to the rest of the world.
"Because they do not condescend to young audiences, [director] Majidi's films are absorbing for adults as well, & there is a lesson here: Any family film not good enough for grownups is certainly not good enough for children."
Roger Ebert, Chicago Sun Times

A film so enchanting one hates to see it come to an end."
Kevin Thomas, Los Angeles Times.
Deep in the Himalayas, in the Buddhist kingdom of Bhutan, two men seek to escape their mundane lives. One of those men is Dondup, a university graduate who hopes to leave his job as a government official behind so he can emigrate to the US and become a farm laborer. On the way out of town Dondup misses his bus. While waiting for next bus he encounters a bizarre series of wayfarers. The most interesting of the characters he meets is a monk who spins the tale of Tashi, a handsome young farmer and apprentice magician who is just as frustrated with his life as Dondup is.
The film deftly cuts back and forth between the tales of these two restless young men, both with girls on their mind and both with a deep desire to find a place of more fun and action.
Travellers is the first feature film ever shot in the kingdom of Bhutan. Filmed in the native language (Dzongka) with English subtitles. It may be the first role most of these actors have ever played but they more than pull it off. The San Francisco Chronicle raves that Travellers & Magicians is a warm, embracing film of transcendent beauty and spirituality.
A film that honors the work of the poet, artist and teacher, Carl Zimmermann (1950-1994). It was in the wilderness of the mighty Sierra that Carl was inspired to write volumes manifesting the essence of climbing to the rocky mountain tops. Zimm's
heartfelt words, set to the beautiful music of Steve Ewert (recorded by California Zephyr), combined with the awesome photography of documentary filmmaker and Film Society Board member Warren Haack, is a record of a place that few people have ever
experienced.

A documentary by Yasha Aginsky about the New Lost City Ramblers, arguably the most influential contemporary old-time string band of all time.
The band began just before the folk boom of the early '60s. What made the band so successful was its authentic sound. NLCR left the soft sappy folk covers to lesser artists. These guys dipped deep into the roots, serving up an authentic string-band sound
that could compete with the best of the bands from the 1920s and '30s. The popularity of the band soared. Through the Ramblers' own words, "Aginsky's film documents the evolution of Old Time American Music and the soulful NLCR sound, their influences,
their mentors and their influence on contemporary musicians."
Yasha Aginsky is a San Francisco-based documentary film maker and film teacher whose work has twice been nominated for Academy Awards.
Both Yasha Aginsky and Warren Haack will attend the screening and talk to the audience.

Director Bob Freimark's roadtrip movie focuses a spotlight on the art of contemporary Cuba. What he discovered was an exotic artistic landscape untainted by the market-driven forces that have shaped the work of Cuban expatriates working in the US. Who says
a 50 year embargo can't provide positive benefits? Edited by the Coastide Film Society's own Warren Haack.

When the Soviet Union collapsed in 1990, Cuba's economy went into a tailspin. Imports of oil cut by more than half and food by 80 percent. People were desperate!
THE POWER OF COMMUNITY shows how Cuba transformed itself from an imported oil glutton to a surprisingly resilient country with an economy rooted in localized food and energy production. "It shows a glimpse of what is possible when a community reinvests its financial, educational and social capital in its own people and the systems that sustain life - food, energy and health care." Alisa Kane.
"We have a lot to learn from this unlikely role model"
The evening will begin with a sampling of music that the Film Society's own technical guru, Warren Haack, gathered during his recent trip to Cuba.

Cave Zahedi (www.cavehzahedi.com) will present a special screening of his film, In the Bathtub of the World, an autobiographical portrait of a relationship that spans the course of one year, and discuss the film afterwards, with questions and answers about the film and his career as a filmmaker.
Caveh is also an actor and has appeared in such films as Citizen Ruth which stars Laura Dern, directed by Alexander Payne (Sideways; Election) and Waking Life, directed by Richard Linklater (Dazed and Confused; Before Sunrise) While studying Philosophy at Yale University Cave Zahedi began making films in his spare time. After graduating from Yale, he studied film at UCLA where he made his first film A Little Stiff.
With the success of that film Caveh received several grants to pursue making his films; and through the subsequent success of future films he has appeared on Larry King Live and NPR among other media outlets. His films are not quite documentaries and not wholly fictional narratives either.
Through the medium of film Caveh uses his own life with only the camera lens as a med iator to pursue the dilemmas of the ego, which he thinks of as "the central question in art…"

Local construction engineer and videographer Rob Carey's encounter with a mysterious creature lurking on one of our local beaches.

(French with English subtitles)
A tense, psychological thriller produced in 1938 by the legendary French director Jean Renoir based on a novel by Emile Zola.
"It is simply a story; a macabre, grim and oddly-fascinating story. Sitting here, a safe distance from it, we are not at all sure we entirely approve." Frank S. Nugent, The New York Times
Railroad engineer Jacques Lantier (Jean Gabin) lusts after Severine (Simone Simon), who is the wife of Roubaud, a railroad station master (Fernand Ledoux). When Lantier stumbles across Roubaud murdering another man, who has done Severine wrong, Lantier is faced with many conflicted motivations. In the course of the film we discover that Lantier has quite a few skeletons lurking in his own closet. So too does his love Severine.
It is a deliciously convoluted film noir in which the plot line has more branches than the gritty railroad line on which it all takes place.

Directors Aisha Bain and Jen Marlowe take us on-site to Darfur. The desert landscape is gorgeous, wind-swept, and littered with bomb fragments. The personal anecdotes are heart-breaking and appalling.
Chosen by Amnesty International as an educational tool, this film provides the historical & cultural context needed to understand the germination of this political & humanitarian crisis. It also provides a testament to the continuing strength and resilience of a people whose lives, homes, safety, & rights deserve to be protected.

In Peter Pan, the lost boys fought off pirates and crocodiles before flying off to Never Never Land. In Sudan, thousands of lost boys also fought off crocodiles and other dangers we can barely imagine before flying off to a new life in the US.
Filmmaker Jander Lacerda asked 108 people in San Francisco's Mission District to explain why America is the "land of opportunity".
Lacerda will be at the screening to help explain why an artist from Brazil came to make a film about American possibilities.
David L. Brown presents the remarkable story of the fiery collapse and rebuilding of a key connector in the Bay Area.
The MacArthur Maze is that stretch of highway where three major freeways meet just east of the San Francisco-Oakland Bay Bridge. We have all driven it,and those forced to navigate its path everyday had to be amazed and grateful when it was replaced in just 26 days.
How was this Herculean feat accomplished so quickly? Brown tells the story in the words of all of the main players in the drama: the legendary contractor C.C. Myers; Caltrans Director Will Kempton and the engineers working for him; the Arizona steel fabricator whose company built the steel girders; the firefighters who responded to the accident; and the reporters who covered the story.

"A documentary that is very funny. As a bonus, you'll find yourself learning something - almost against your will." Sacramento Bee
Everybody agrees that the Eastern span of the San Francisco-Oakland Bridge is in danger of falling into the Bay. Why has it taken almost two decades to replace? In this Emmy-winning documentary filmmaker David L. Brown explores the subject through interviews with engineers, bridge builders, architects, lawyers, seismologists, comedians, and a couple of well-known politicians.
"That producer-director David L. Brown was able to create a snarky and compelling documentary - leaning more toward Michael Moore filmmaking territory than Ken Burns - is surprising in itself. See, Brown's project was sponsored by the Professional Engineers in California Government, an organization that represents Caltrans workers." Sacramento Bee
Brown won an Emmy for his work on this documentary. So did animator Charlie Canfield. Both will be at the screening.

"In Caribe, unspoiled tropical beaches and jewel-toned forests teeming with indigenous flora and fauna make the case against an unscrupulous oil company seeking to drill offshore more eloquently than do any of the impassioned speeches delivered by script's homegrown activists. But it is the imported charms of Cuban heart throb Jorge Perugorria ("Strawberry and Chocolate"), Spanish actress Cuca Escribano, and Mexican sex kitten Maya Zapata, enmeshed in a torrid love triangle, that explain pic's unprecedented popularity." Variety
Vicente (Perugorria) and Abigail (Escribano) run a small banana plantation on Costa Rica's beautiful Caribbean coastline. An oil company wants to build oil platforms off the coast near their plantation. The platforms will bring in a lucrative new source of money but endangers the tourism, agriculture and fishing that drive the local economy.
Should Vicente and Abigail try to preserve their idyllic home or sell out for a fast buck? That's the Faustian bargain they are struggling with when Abigail's seductive half sister arrives to stir the pot just a little bit more.
Based on a book by Costa Rican literary legend Carlos Salazar Herrera, Caribe was the first Costa Rican film ever to be submitted to the Academy Awards.
"Mario Cardona's gorgeous and seductive widescreen lensing is ably accompanied by Walter Flores' exotic score. Vincente is the perfect representative of the liberal bourgeoisie caught between impoverishment and exploitation. Yet the pic resists such a reading, mainly because of the sheer power of Perugorria's Vincente, who reads as quasi-heroic right up until pic's final, sly feminist coda."
Because this story has a steamy side to it, the Film Society decided to move the screening to the Depot at Johnson House rather than show it at their usual digs at the Methodist Sanctuary.

"No End in Sight is the most cool headed of the Iraq war documentaries, the most methodical and the least polemical. Yet it's the one that will leave audiences the most shattered, angry and astounded." Mick LaSalle, San Francisco Chronicle
"This is not a documentary filled with anti-war activists or sitting ducks for Michael Moore. Most of the people in the film had top government or military jobs in the Bush administration. They had responsibility in Iraq or Washington, they implemented policy, they filed reports, they labored faithfully in service of U.S. foreign policy and then they left the government. Some jumped, some were pushed. They all feel disillusioned about the war and the way the White House refused to listen to them about it." Roger Ebert Chicago Sun-Times

A documentary about Canadian photographer Edward Burtynsky and his attempt to document modern industrialization gone amuck in China and other hypergrowth hotspots. Burtynsky is a master at finding beauty in dangerous industrial vistas.
The film makes no attempt to scare the audience with statistics and charts. Instead Director Jennifer Baichwal chose to follow Burtynsky as he travels the world looking for mindblowing industrial vistas he can capture on film. Burtynsky throws in an occasional comment about his subjects, but for the most part he lets the images and the words of the people behind the images do all the talking. It's clear that the workers depicted in the film are profoundly grateful for the jobs that have lifted them out of poverty. At the same time, they are fully cognizant and deeply concerned about the impact this rampant industrialization is impacting the world they are going to pass on to their children.
Jenny Lau, an Associate Professor in the Department of Cinema at San Francisco State and a member of the Script Committee of the Beijing Olympics will introduce the film and lead the post screening discussion.

The latest collaborative effort by composer George Roumanis and photographer Lou Solitske, both of Half Moon Bay. George has written three movements of hauntingly beautiful music that add resonance to Lou's shots of coastside seascapes, sunsets, big wave surfers, birds and other natural beauties he has captured while roving our majestic California Coastline.
World famous alto saxophonist, Dale Underwood is the featured artist of this innovative opus.

Lou Solitske's pictures of a wide variety of local dogs, some funny, some cute, some beautiful, but all our best friends; keep perfect time to George Roumanis's ragtime rhythms.

For hundreds of thousands of years an extraordinary journey has taken place in the sea. Twice a year along the west coast of North America, elephant seals set out alone on a nearly impossible round trip migration across vast expanses of the North Pacific.
For months they remain at sea, swimming thousands of miles while diving relentlessly to unimaginable depths in search of food. By journey's end they'll have traveled farther in a year than any other mammal on Earth.
From the rugged, wave-swept shorelines of Northern California to the cold dark depths of the North Pacific, this is the incredible story of one of the greatest migratory marine mammals ever to inhabit the sea, a remarkable creature living a life of extremes and their species∙ never-ending struggle for survival.
Come enjoy this great film with Drew Wharton, the Santa Cruz-based film maker behind this project and ask him questions about the two years he spent filming, writing and directed and producing this wonderful documentary. Chances are you will recognize many of the places he shot at including our own Ańo Nuevo State Reserve, Farallon Islands, and Point Reyes National Seashore.
Visit A Seal's Life Trailer

When "I Love Lucy" debuted on national television on October 1951, the show became an instant sensation, defining the format of the situation comedy, driving thousands of first time viewers to television, and turning its unlikely star, Lucille Ball, into a legend. The documentary "Finding Lucy" tells the story of how a B Grade movie actress from Jamestown, N.Y. used her penchant for comedy to transform herself into the very first female television superstar and first female head of a major studio.
Winner of the Emmy as Best Documentary, "Finding Lucy" features one of the most extensive compilations of archival television and movie footage ever gathered for a single production as well as interviews with countless industry insiders who can tell the give the back story of how and why this program has become a broadcasting icon.
Much of Bob Elfstrom's success can be attributed to his deep understanding of how to properly light a scene and capture sound. During the break between features, Bob has graciously agreed to teach a mini-workshop on how to use proper lighting and sound recording techniques to improve any video shoot.

Moses Pendleton is one of the most influential choreographers of the 20th century. He is a founder of two internationally-renowned dance companies, the hyper-athletic Pilobolus company and Momix, a company of dancer-illusionists.
This unusual film seamlessly blends dance performance shots with autobiographical essays by and about Moses Pendleton. By skillfully melding two film genres together in this way, Eldstrom created a superb hybrid that earned him the coveted Cine Golden Eagle award.

For over 25 years Joan Saffa has been producing award-winning non-fiction television programs. Her documentaries have been honored with several Northern California Emmys, Golden Cine Eagles, a national Emmy, and a George Foster Peabody Award. Come meet her and see two of her films.
San Francisco in the 20s (60 mins)
SF in the 20s captures the frolicking good times, as well as the uncertainties lurking just below the surface of a decade defined by prohibition, flamboyance and racism and ending with the great stock market crash. Narrated by Ed Asner.
Keeping Score: MTT on Music
The Music of Aaron Copland (116 mins)
In this fascinating behind-the-scenes documentary, conductor Michael Tilson Thomas and the San Francisco Symphony take viewers on a guided tour of the music of one of America's greatest composers. It's a great ride not only for those familiar with Copland and his "American" sound, but for those willing to listen and discover this terrific music for the first time. The selections chosen cover Copland’s iconic Americana classics (Appalachian Spring, Rodeo) but also lesser know works of a probing artist who straddled the popular-classical divide.
DEAD IN THE SIERRA
"The spectre of Joaquin Murieta still rides in the California countryside. Whoever approaches the legend of this bandit will feel the charismatic force of his gaze." - Pablo Neruda
The California Gold Rush of 1849 occurred in the aftermath of the US-Mexican War, which annexed nearly half of Mexico to the United States. Amid the greed, suspicion, and fear of that era, many who lost land, family, and their futures fought back. Told from a Mexican point of view, this is a story of two very different men, both named Joaquin, whose fed the legend of outlaw and rebel Joaquin Murieta. Beautifully shot in 16mm black and white over three decades, the film sports a superb sound design by Academy Award-winner Richard Beggs (Apocalypse Now).
A film by Coastside Film Society Board Member, Warren Haack.

Feature starts at 8:15
It's 1918, and the United States is deeply embroiled in World War I. Horace Robedaux is living a bucolic life with his wife and little girl in their little Texas town way back in piney woods. But historical forces are straining to reshape his life.
To most of his neighbors the war is a romantic adventure. Young men like Horace are encouranged to do their patriotic duty. Will he end up in the killing fields of France? Or will the impending influenza pandemic grab hold of his life before this can happen?
Written by Oscar-winning screenwriter Horton Foote (To Kill a Mockingbird, Tender Mercies).

"Shooting with amateur actors on real locations, plundering his surroundings for his shots and props, Rodriguez gets a gritty, sweaty, dusty feel that drips with atmosphere." Roger Ebert. Chicago Sun Times
El Mariachi was writer/director Robert Rodriguez' first commercial film. That is if you call a film made for $7,000, targeted at the direct-to-video Hispanic market, with money raised by volunteering for medical research a commercial release.
In spite of its low budget, the movie became a hugh commercial success, It won the coveted Audience Award at the 1992 Sundance Film Festival, went on to make millions at the box office, and launched the career of one of our most prolific modern directors. (Spy Kids, Sin City, Desperado, GrindHouse).
El Mariachi is an action thriller and a masterwork of low-cost filmmaking improvisation. The hero of the film is a mariachi-a singer of traditional Mexican songs. As the movie opens, the mariachi has just arrived in the small Mexican border town of Acua looking for work at local cantina. His misfortune is that a ruthless assassin has also arrived in town at the same moment. Both men wear black and carry guitar cases and the musician is mistaken for the assassin. Life suddenly becomes much more interesting for the mariachi!
DEAD IN THE SIERRA
"The spectre of Joaquin Murieta still rides in the California countryside. Whoever approaches the legend of this bandit will feel the charismatic force of his gaze." - Pablo Neruda
The California Gold Rush of 1849 occurred in the aftermath of the US-Mexican War, which annexed nearly half of Mexico to the United States. Amid the greed, suspicion, and fear of that era, many who lost land, family, and their futures fought back. Told from a Mexican point of view, this is a story of two very different men, both named Joaquin, whose fed the legend of outlaw and rebel Joaquin Murieta. Beautifully shot in 16mm black and white over three decades, the film sports a superb sound design by Academy Award-winner Richard Beggs (Apocalypse Now).
A film by Coastside Film Society Board Member, Warren Haack.

"A nail-biting competition film, an engrossing group character study and a wonderfully graceful comedy of manners."
William Arnold, Seattle Post-Intelligencer.
Every spring since 1925, Scripps Howard newspapers have sponsored spelling bees at grade schools across the U.S. This award winning documentary presents the intense, real life experience of the National Spelling Bee through the eyes of eight, driven young spellers.
The film travels from the plains of Texas to the lawns of Connecticut, from redneck countryside to the troubled inner city of Washington D.C.. We get to share the private lives of these kids as they advance through regional competition, prepare for, and eventually do battle at the national contest.
"An unassailably great film! Anyone who has not seen it assumes it's good in the most earnest, studied kind of way--good for you. I've seen Spellbound four times, most recently with my grade 6 class, and the initial thrill hasn't waned a bit. For a film about something as staid as a spelling bee, where requests for a word origin count as major plot twists, it's as sly and disarming as can be."
Phil Dellio, RockCritics.com

"An Outrageously funny comedy of manners."
Linda Gross, Los Angeles Times
A film by OUSMANE SEMBENE, the father of African cinema, who passed away this June.
Ousmane Sembene's savage and hilarious
satire of modern African bourgeoisie. Forsaking the more obvious (and politically acceptable) targets of European exploitation and racism, Sembene zeroes in on a far touchier subject: the entire blackfacing of white colonial policies after independence was granted.
Set in a newly independent Senegal, the story centers on self-satisfied, westernized Senegalese businessman who decides to take advantage of the rampant corruption. Flush with government money, he decides to marry his third (polygamous) wife. On his wedding night, he is suddenly struck down with the xala, an ancient Senegalese curse rendering him impotent. With his virility in question, he tries a number of ridiculous and bizarre cures. This vain search for a cure becomes a metaphor for the impossibility of Africans achieving liberation through dependence on western technology and bureaucratic structures.
An interesting point is Sembene wrote both the novel of that name and the screenplay.
JENNY LAU, Associate Professor of Cinema at San Franciso State University will introduce the film.
In 1986, a breeding colony of Common Murres on Devil's Slide was devastated by an oil spill.
Using innovative restoration techniques in a challenging location, scientists worked with local schools and government agencies to restore the colony.
The film chronicles the decade of restoration efforts required to bring these birds back to their ancestral home.
For more info call: (650) 355-8000 (ask for Marty)
or go to: www.PCT26.com
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Produced, written, and directed by Kevin White.
Narrated by Terri Orth-Pallavicini
Camera: Scott Stender, Don Starnes, Kevin White
Editor: Theron Yeager &; Marnie Berringer
Associate Producer: Marnie Berringer
In 1986, a breeding colony of Common Murres on Devil's Slide was devastated by an oil spill.
Using innovative restoration techniques in a challenging location, scientists worked with local schools and government agencies to restore the colony. The film chronicles the decade of restoration efforts required to bring these birds back to their ancestral home.
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Produced, written, and directed by Kevin White.
Narrated by Terri Orth-Pallavicini
Camera: Scott Stender, Don Starnes, Kevin White
Editor: Theron Yeager & Marnie Berringer
Associate Producer: Marnie Berringer
One of the most critically acclaimed films of the decade.
Winner "Best Picture" -- National Society of Film Critics.
"Best Director" -- Cannes Film Festival.
"Best Foreign Film" by both the New York Film Critics Circle & the LA Film Critics Association.
The movie is a portrait of three generations of a Taiwanese family. These are characters living in a a modern world that an American audience can relate to and care about. The protagonist is an electronics executive whose comfortable world is rocked by a chance encounter with his first love; a girl he almost married 30 years ago. While he ponders his past and present we gradually get to know the people who frame his life; his wife, his mother-in-law, his teenaged daughter, and the 8-year old son who always seems to drop the water balloon on the wrong head.
A.O. Scott of The New York Times said in his rave review, "I struggled to identify the overpowering feeling that was making me tear up. Was it grief? Joy? Mirth? Yes, I decided, it was all of these. But mostly, it was gratitude."
"Only rarely is a film this observant and tender about the ups and downs of daily existence."
Roger Ebert of the Chicago Sun-Times
Friday & Sat, June 22 & 23rd at the Embarcadero Center Cinema
Director Richard Wong & Actor/Writer/Composer H.P. Mendoza
In Person
Fri & Sat, June 22 & 23! June 22 & 23 at 7:30 & 10:00pm!
Best pals Rodel (H.P. Mendoza), Billy (Jake Moreno) and Maribel (L.A. Renigan) find themselves in a state of limbo. Fresh out of high school, they are just beginning to explore a new world of part-time mall jobs and crashing college parties.
As newfound revelations and romances challenge their relationships with one another and their parents, the trio must assess what to hold onto, and how to best follow their dreams.
A fresh personal look into the ups and downs of early adulthood, boasting 13 original musical numbers composed by Mendoza. Debut feature for director Richard Wong.
More info at the OFFICIAL WEBSITE http://www.colmafilm.com/
You can buy tickets at:
http://movies.aol.com/theater/landmark-embarcadero-center-cinemas/1154/showtimes?date=20070622

2006 Oscar winning short animation written, directed and animated by Torvill Kove and narrated by Liv Ullmann.
The film deals with heady questions. Can we trace the chain of events that lead to our birth?. Is our existence just coincidence? Do little things matter?
To explore these questions, we follow Kasper, a poet whose creative well has run dry, on a holiday to Norway to meet the famous writer, Sigrid Undset. As Kasper's quest for inspiration unfolds, it appears that a spell of bad weather, an angry dog, slippery barn planks, a careless postman, hungry goats and other seemingly unrelated factors might play important roles in a big scheme of things after all."

The story of four remarkable women and their struggle to overcome the stigma and brutal reality of widowhood in modern India. The protagonist Priya, is an educated and affluent woman who is widowed young. Despondent, alone and desperate, she seeks solace in Vrindavan, the "city of widows." There she meets three women who become her best friends. Roop has spent 30 years making her own way in this temple town, and knows all the town's dirty secrets. Her own mother-in-law tragically disfigured gentle Mala. Young Deepti was forced into servitude and the underground sex trade run by the local Panda priests. These four women for a deep bond and through their friendship begin to discover a way to take charge of their own fate. Their journey is not without adversity and tragedy from a system dominated by men who prosper from the exploitation of India's most disenfranchised citizens.
Film makers Linda and Dharan Mandrayar will be in attendance to present the film and do Q&A.
A short musical photographic exhibit in three movements featuring music by local composer George Roumanis and photographer Lou Solitske. Both gentlemen live in Half Moon Bay and will be at the screening to answer questions. (8 mins)
Evelyn Glennnie lives in our universe in a way
that almost no one else does. She’s a top classical solo percussionist. She is also profoundly deaf using her body as a "resounding chamber" through which she experiences her work.
In this documentary, we get to follow Glennie as she plays the snare drum in New York's Grand Central Station, a guitar case in the Cologne airport, pigeon coops on row house roof tops and the china at her favorite Japanese restaurant. But the movie really breaks out when we get to follow her and avant-garde musical legend Fred Frith improvise work for a new album while roaming
through a vast, decaying, industrial warehouse.
"Innovative sounds and striking visuals combine to form an exquisite cinematic work that's both a portrait of hearing-impaired percussionist Evelyn Glennie and a radical
reexamination of sensory experience." Ken Fox, TV Guide
"Exquisitely beautiful for the eyes as for the ears." David Sterritt, Christian Science Monitor

Of Wind and Waves: The Life of Woody Brown is an award-winning hour-long documentary on a 95-year-old legend in the worlds of surfing, sailing and soaring.
Attending the screening is David L. Brown, the Brisbane-based filmmaker behind the film. Brown states, "I see Woody as a modern Thoreau sitting on a surfboard, living in harmony with the world around him, alive to the possibilities of each new day, and following his own singular vision of how to be in the world."
The documentary captures Woody's unique blend of enthusiasm, wisdom, humor and spirituality that have made him a truly inspirational figure.
Of Wind and Waves explores Woody's life in his own words and from the perspectives of his family, friends and surfing colleagues. The film also features a remarkable archive of film and photography from every stage of Woody's long life.
Of Wind and Waves also provides a valuable cross-cultural portrait of the land, people and culture of Hawaii over the six and a half decade span of Woody's life there.
Winner of the 2006 Inspiration Award at Mountain film in Telluride, and the Award at the 2004 Maui Film Festival.
For more info see: www.hmbfilm.org
All of us are searching for solutions and ways to take personal actions to affect change, especially for our children’s future . . . An Inconvenient Truth raises compelling questions; Nobelity offers compelling answers.
-- Christopher Gavigan, CEO of the Children's Health Coalition
Remarkable new film . . . Nobelity leaves you wanting more and thinking that if Pipkin's nine were in charge, we would leave a better world indeed.Certainly Mr. Pipkin has given us a call to action. It is our job as individuals to find our passion and move forward creating change. That is why I choose the films that we show to help people do just that.
--Esquire magazine
Inspired by love and concern for his two daughters, and wondering what kind of planet they will inherit, actor and award-winning director Turk Pipkin traveled the world to pose the toughest questions of our time to some of today's greatest minds. The result is Nobelity, a highly acclaimed documentary that explores the crises and possibilities facing the environment, education, economics, family, peace, social justice, and spirituality.
Pipkin's odyssey took him across the United States, and overseas to France, England, India, and Kenya. One of the distinguished Nobel laureates he spoke to was Rev. Desmond Tutu (Nobel Peace Prize, 1984) who talks about the power of love and forgiveness, and the human capacity to accomplish great things. Pipkin says "The most moving of the meetings was with Sir Joseph Rotblat, a 96 year old nuclear physicist (Nobel Peace Prize, 1995) who fifty years earlier had joined with Albert Einstein in signing an open letter to the world calling for an end to nuclear proliferation. Sir Joe confided to me that the mission for the remaining days of his life was to fulfill the task that Einstein left to him, and put America and the world back on the track to nuclear disarmament."
Seeking solutions to the most daunting problems confronting us today, Pipkin says of his personal journey: "Again and again, I learned that the world's problems are much larger than I'd thought, but I was also learning that there is much reason for hope. The answers are there, but we have to seek them out and act on them in a much more proactive fashion." “There’s nothing magic about change,” Turk was told by Jody Williams, Nobel Laureate and the founder of the International Campaign to Ban Landmines. “You have to pick an issue that’s important to you, then get off you’re backside and take action.” Other laureates featured in Nobelity are: Steven Weinberg, Jody Williams, Ahmed Zewail, Rick Smalley, Wangari Maathai, Dr. Harold Varmus, and Amartya Sen.

A celebration of gypsy music from a French director with Rom (gypsy) roots. The movie traces the Rom people from their ancestral home in India through Egypt, Turkey and up into Europe.
This documentary uses no narration, preferring to let the pictures and the music speak for themselves. Via song and dance, young and old celebrate, embody, and teach the cultural values of family, journey and love--even though they were often separated and persecuted. The movie reveals how the sad and fiery Rom music becomes laced with elements of whatever culture the musicians find themselves living in. In India the music is light and romantic. In Egypt it absorbs elements from Muslin prayer. Southern France provides us with the wild Romani jazz popularized by Django Reinhardt. In Romania and Germany the music turns darker, reflecting the harsh treatment Rom's have long encountered here.On Nov 24 there will be a celebration to launch Irving Norman's book DARK METROPOLIS at the San Gregorio Store (6:30 to 8:00 p.m.)
Two films about the redemptive power of music to heal by Suzanne Girot and Renato Frota.
MISTER SPAZZMAN (47 mins)
Two perspectives on how relationships evolve in the wake of a life-shattering event:
1.) Two men and the evolution of their music;
2.) Love between a man and woman withers as they realize the futility of a shared life.
GIRL BEAT--THE POWER OF THE DRUM (27 mins).
A documentary about the Brazilian Cultural Center for Music and Dance. Here young girls learn to appreciate their rich heritage. In doing so they transform the lives of their families. A film full of vibrant music and dance.
GIRL BEAT profiles members of Banda Dida, an all-girl drumming and vocal group based in SALVADOR, BRAZIL. The music that this group plays grows out of the Portuguese colonial history of Brazil, and the African slave market that used to be held in the Pelourinho (slave square) in Salvador.
Although slavery was abolished in Brazil in 1888, an economic separation of black and white populations is still entrenched throughout the country. The Dida Music School (A Brazilian Cultural Center) was established in Salvador to empower Brazilian blacks with their history, music, and a chance to succeed in the rich samba-reggae music scene that is currently popular in South America. Several members of the music group are interviewed, rehearsals of the group are shown, and discussions related to Brazilian black history and religion are interspersed throughout.
This film illustrates the power and importance of giving young people, especially those of ethnically and economically diverse backgrounds, the gift of learning about music. That makes their lives more meaningful and fulfilling. It provides some perspective on the current popular music scene in Brazil. In addition, the girls' families were transformed by reconnecting with their Black Heritage.
Director Suzanne Girot will be on hand to introduce her two films and take questions.
